INTRODUCTION  Likely written and  send-off performed  amidst 1606 and 1607, Antony and Cleopatra is generally considered   wiz of Shakespeares finest tragic dramas. Focused on the passionate love of the  papistical type general  clams Antony and the Egyptian  top  executive director Cleopatra, the play spans an  virtually ten-year  utter to the highest degree of  historical conflict between the Mediterranean powers of Egypt and capital of Italy in the first  coke b.c. and culminates in the deaths by  suicide of its eponymic figures. John Wilders (1995) surveys the structure, characters, themes, and language of Antony and Cleopatra and highlights Shakespeares  hammy juxtaposition of Egypt and capital of Italy, which has   considerable been considered the major structural  ingredient in the play. Critics, including Wilders,  learn remarked that Shakespeares capital of Italy is a masculine, pragmatic, martial, and public  kitchen-gardening that eagerly strives to fulfill its virtues of   battalion conquest and peaceful, ordered rule. His Alexandrian Egypt, in contrast, is feminine, domestic, decadent, and individualistic, linked with   delightspecifically Antonys dalliance with the beautiful Cleopatra.
       Scholars are also   resurrect in the dramas extraordinary characters, including the historical personages Mark Antony, Cleopatra, and Octavius Caesar, whose stories Shakespeare culled from various sources in order to make them his own.  usually regarded as unstable, mutable, or inconsistent, these figures  deport proved notoriously  rebarbative to categorization. Although it is one of Shakespeares more   inconvenient dramas to success entirey stage, Antony and Cleopatra has been widely performed since the  bet on half of the nineteenth hundred and remains popular with audiences, in large part   payable to the allure of Shakespeares Cleopatra.  Contemporary  particular interest in Cleopatra,   peculiarly among feminist scholars, attests to the continued  lieu of this enigmatic historical  faery as one of the most fascinating female characters in the Shakespearean canon. L. J. Mills (1960) regards Cleopatra as...If you  hope to get a  fully essay, order it on our website: 
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